Moroccan pattern cement tiles
A Moroccan pattern tile is an encaustic cement tile: pigmented slurry laid by hand into a brass divider, backed with a structural cement body, and pressed. Seventeen patterns are in the current book. Because the pattern sits in the wearing layer rather than on top of it, the floor holds its drawing for as long as the tile lasts.
Fifteen patterns in the current book
Each pattern is poured into a brass divider on top of the same cement body, so the pattern is material rather than print. All are 8 by 8 inches, and the colours shown are the standard issue of each pattern rather than the only way it can be made.
15 patterns in this library

MTA-101
8 by 8 inches, colours to order
Request this sample
MTA-102
8 by 8 inches, colours to order
Request this sample
MTA-103
8 by 8 inches, colours to order
Request this sample
MTA-104
8 by 8 inches, colours to order
Request this sample
MTA-105
8 by 8 inches, colours to order
Request this sample
MTA-106
8 by 8 inches, colours to order
Request this sample
MTA-107
8 by 8 inches, colours to order
Request this sample
MTA-108
8 by 8 inches, colours to order
Request this sample
MTA-109
8 by 8 inches, colours to order
Request this sample
MTA-201
8 by 8 inches, colours to order
Request this sample
MTA-202
8 by 8 inches, colours to order
Request this sample
MTA-204
8 by 8 inches, colours to order
Request this sample
MTA-205
8 by 8 inches, colours to order
Request this sample
MTA-206
8 by 8 inches, colours to order
Request this sample
MTA-207
8 by 8 inches, colours to order
Request this sample
Colours can be changed pattern by pattern, because the divider sets the drawing and the mixes poured into it set the palette. Ask for a sample in your own colours before a floor is set out.

Specification
- Patterns
- 17 in the current book
- Colour
- Pigment in the wearing layer
- Pour
- By hand, brass divider
- Format
- Cast to order
- Surface
- Matte, unglazed
- Application
- Floor, panel, riser
How an encaustic tile is poured
A brass divider, cut to the drawing of the pattern, is set into the mould. Pigmented cement slurry is poured by hand into the cells of that divider, one colour at a time, so the colours meet at a metal edge instead of bleeding into each other. The divider is lifted, a layer of plain structural cement is laid in behind the pattern, and the whole tile is pressed.
That single pressing bonds the two layers into one piece. The pattern layer is poured wet and has real depth behind it rather than being a film, which is the difference between an encaustic tile and a printed one. Then it cures in stacks before dispatch, like every other cement tile from the works.
- Divider
- Brass, cut to pattern
- Layers
- Pattern over body, pressed
- Cure
- In stacks, before dispatch
The pattern is in the wear layer
Walk a printed tile for a decade and the drawing goes thin at the door. Walk an encaustic tile and the drawing stays, because it is not sitting on the surface, it is the surface, with pigmented cement behind it. A chip shows the same colour rather than a white body underneath.
There is a trade in the other direction. An unglazed cement face is porous and will take a stain if it is left unsealed, so this tile asks for sealing where a glazed porcelain would not. That is the whole price of having a pattern that does not wear off.
- Wear layer
- Pigmented cement
- Chip
- Shows the same colour
- Face
- Porous until sealed
Setting a repeat out against a room
Most of these patterns are drawn to build something larger than one tile: four tiles closing a medallion, a diagonal running across a floor, a star that only appears at the join. That means the setting out decides whether the pattern looks intended or accidental. Start from the centre line of the room, or from the sightline through the main door, and let the cuts fall at the walls.
A cut through a pattern is visible in a way a cut through a plain tile is not, so plan where they land before the first tile goes down. In an awkward plan it is usually better to run a plain border and cut that, keeping the patterned field whole. Send us the floor plan with the pattern you are considering and we will set the repeat out on it.
- Set out
- Centre line or sightline
- Cuts
- Planned at the walls
- Repeat
- Often four tiles

Border and field
The old convention still works best: a patterned field, a border that frames it, and a plain surround that lets the whole thing sit inside the room. The border turns a repeating pattern into a defined panel, so the floor reads as a laid rug rather than as wallpaper that ran out at the skirting.
Because the plain concrete cement tile shares the body and the pigments with the pattern, that surround can be matched to a colour taken from inside the pattern instead of approximately near it. In a small room a patterned panel with a generous plain surround makes the floor feel larger than the same room patterned wall to wall.
Sealing, and the first weeks
A new floor is sealed before it is used, with a penetrating sealer that soaks in rather than a film that sits on top. A film would gloss the matte face and eventually peel along the traffic lines. Seal after laying and grouting, once the floor is properly dry, and watch the grout haze: on a porous patterned face, cement grout wants removing promptly rather than at the end of the week.
Give the first weeks some attention. Keep grit off it, wipe spills instead of leaving them, and use a neutral pH cleaner from the start. Acid, bleach and abrasive pads are the three things that damage this tile, and none of them are necessary. After that, resealing is periodic and follows traffic.
- Seal
- Penetrating, before use
- Grout haze
- Remove promptly
- Clean
- Neutral pH
What a specifier asks about this material
- How many patterns can I choose from?
- Seventeen patterns are in the current book. Each one can be poured in the pigments we mix at the works, so a single pattern comes out quiet or loud depending on the colours put into it. Ask for the pattern book, then ask for samples of the two or three you are shortlisting: a pattern reads much stronger across a floor than it does on one plate.
- Will the pattern wear off in a doorway?
- No. The pattern is poured as a layer of pigmented cement and pressed into the body rather than printed on the face, so wear takes the sheen down instead of taking the drawing away. Chips and scratches show the same colour rather than a pale body underneath. Keep a few spare tiles from the original batch for the rare tile that has to be cut out and replaced.
- Can I use pattern and plain tiles in the same floor?
- That is the usual way to lay it. The plain concrete cement tile is the same body with the same pigments, so a plain field or border around a patterned panel matches rather than nearly matches. Order both on the same job so they come from the same batch, and set the change of tile on a line the room already has, a threshold or a change of level.
- How is a Moroccan pattern floor cleaned and sealed?
- Seal it with a penetrating sealer before it goes into use, then clean with a neutral pH cleaner and a mop. Keep acid, bleach and abrasive pads off it, because they etch cement and dull the matte face. Reseal periodically, more often on a busy floor than a domestic one, and remove grout haze promptly during installation rather than leaving it to set.
Materials laid alongside this one
Name the codes you need
Send the codes, the format and the area you are covering, and we will come back with physical samples and a quote against that quantity.



